蜜桃淳直播
类型：剧情 / 地区：英国 / 年份：2019
主演：Morgan,Val,Baker,Georgia,Ellery,Martin,Ellis,Chloe,Endean,St
导演：马克·詹金
更新：2025-04-10
简介：
康沃尔渔村的&#
康沃尔渔村的(🔨)风景(⛲)明信片(🥇)田园诗误导了人(rén )们。虽然(rán )过(🕸)去钓鱼是一种(zhǒng )养家(🔧)糊口的(de )方(fāng )式(🐉)，但如今(🔬)富有(yǒu )的伦敦游客纷纷(🌫)下山，取代了(🌗)当(dāng )地(dì )人，当(🚤)地(🖲)人的生计因此受(shòu )到威(wēi )(🛍)胁。史蒂文和马(✳)丁(dīng )兄弟的关系也很紧张。马丁(🥞)是一个没有船(chuán )的渔夫，因为史蒂文开始用(💞)它(tā )来为(🌙)一整天的游(🥁)客(kè )提供更赚钱(😞)的旅游。他们卖(🎛)掉(🌊)了这(zhè )座(🥔)家(jiā )庭别(bié )墅，现(✋)在看(🏂)来，最(zuì )(🤸)后一场战(zhàn )斗(🙀)是和新主人在海(hǎi )边的停车(chē )(👃)位(🧤)上(🔔)展开(kāi )。然而，情(👺)况很快就失控了，而不仅仅(⚾)是(🕯)因为车轮夹钳(qián )。 Bait是一(💍)种黑白，手工制作(zuò )，16毫(háo )米胶片(🃏)制(zhì )作(zuò )的电影。许多关(guān )于鱼、网、龙(lóng )(🐡)虾(🈺)、长(📧)靴(xuē )(🔍)、绳结和渔(yú )篮的特(tè )写(🥤)镜(jìng )头让人想起了蒙(méng )太奇(qí )景(jǐng )点的理论。对(👄)不同(tóng )社(shè )会(huì )阶(jiē )层的描述——可(kě )以(yǐ )说是阶(jiē )(👛)级关(😳)系——也让人想起了(🛃)英国电影中的社会现实主义传统(🚩)。然而，最重要的是(shì )(🔮)，在影像(🔬)中不同层(céng )次的电影历史参考文献之(🏡)下，当(🈸)前许多政治(zhì )关联正在等待被(🔍)发现(xiàn )。 (🐣)The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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